What’s up with ‘Kim’s Convenience’? The actors express themselves
“Kim’s Convenience” officially closed, and stars complained about the show’s approach to portraying Korean Canadians in front and behind the camera.
After CBC’s Sitcom debuted on Netflix last week in its fifth and final season, actors Simu Liu and Jean Yoon have joined the production team for the series “Overwhelming White,” Pay “Off-Skin,” “absolutely”. He expressed concern about “racist” scenarios and more. Complaints.
Based on the stage work “Kim’s Convenience” of the same name by actor and playwright In Choi. Created in 2016 It centers on a Korean-Canadian family who run a convenience store in Toronto. During the show, Liu – the long-awaited Marvel star “Legend of Shanch and the ten wheels” – I drew Yun’s son, Chung, on the screen.
“I have heard a lot of speculation around me.
“It’s not far from the truth. I love this show and everything it means. I have seen firsthand how it affects families and connects people. Today. Shows really rarely have such an impact on people.
After setting a record for his career path, Liu expressed disappointment with the way he and his characters were treated as the series progressed.
“But I got more and more frustrated with the way my character was portrayed.” The protagonist is the character’s steward, who gains more creative ideas as the show progresses. Has always been my understanding.
This was not the case on our show. Our producers are mostly white, we’re a Canadian-Asian cast, and we’ve brought a lot of living experience and provided it to the writers, so it’s twofold. I was confused by…. I couldn’t afford much of what was intentionally given to us. “
Ryu also starred in the upcoming spinoff series, Strays, which featured Jung’s work supervisor, Shannon, played by Nicole Power. The film will premiere on CBC in September.
“I love Nicole and I’m proud of it. I hope the show is successful for her… but I have a non-Asian character who has her own show. “They don’t ask, but I categorically refuse to replay my role in any position. . “
In addition to the creative differences, Liu compared CBC’s “brand talents” to other popular shows such as “Schitt’s Creek,” which received a lower rating than “Kim’s Convenience.” He then accused the CBC of deliberately underestimating himself and his castmates.
“for What a success the show really wasWe were paid at an absolutely high rate, ”he writes. “The whole process really brought our attention to the relationship between the powerful and the weak. At first we were anonymous actors with no leverage, so of course we can. I was going to do whatever I could …
“Basically we were trapped at a very low rate for the foreseeable future… but we didn’t regroup and ask for more. Probably because I was told to thank them for being there and I was so afraid to lock them up. Boats. Maybe he was busy with an internal conflict that we couldn’t understand as we were fighting on purpose. Maybe that’s because, in the meantime, we were to be the show’s de facto spokesperson (our showrunner was silent).
Immediately after Liu shared his thoughts on social media, the Canadian Globe and Mail television critic Rejected his comment As “unfair” and “mean,” Yun urged her to stand up for her co-star on Twitter.
While The two Liu Yun said it was Korean-Canadian artist Chae Choi who introduced the Kim family to mainstream viewers.
Yun responded to criticism of The Globe and Mail’s remarks, saying, “Your attack on his castmate Simu Liu is of no use in defending Korean artist In Choi. “It’s not worth the shot.” “Mr. Cho Cho wrote the drama and I [it]He created the TV show, but co-producer Kevin White was a showrunner and clearly set the parameters.
“This is a fact that I hid as a cast. It was clear from Mr. Choi’s reduced presence on set and the answers to questions in the script. This fact became a crisis between S4 and S5, and S5 I was told that ini Cho would take over management of the show. “
Scene partners also argued that the “Kim’s Convenience” editorial team lacked diversity, not only “lacking in East Asian and women representatives” but also “showcasing diverse talents.” “Pipeline” was also mentioned.
“There was no Korean voice in the room other than Inn,” Ryu wrote. “And personally, I don’t think he put in enough effort to defend those voices (including us). When he left (no farewell notice to the actors) He left neither disciple nor learner Padawan, nor Korean talent that could replace him.
“As an Asian Canadian, a Korean Canadian has a lot of experience and knowledge about the world of my characters, and since there are no Asian women, especially Korean writers, in Kim’s writer’s office, life is very difficult and the show hurts, “Yun tweeted.
Liu said that he and others’ efforts to improve the show from within were rejected, even though he worked “hard” to make himself available as a creative resource. He added that the show’s credibility was undermined without sufficient information from Korean talent.
“The cast received a draft of all S5 scripts before the Covid shoot. At this point we found a script that was clearly racist and highly culturally inaccurate, so casting Together, we expressed our concerns, ”Yun tweeted.
“From my experience, I’ve learned that if I work hard enough, people will naturally try to help me,” Liu writes. “And boy, I was wrong here. I was not the only one to try. Many of us in the cast have been trained to script with tastier thoughts and ideas over time. It was a house, but those doors were never opened to us in any meaningful way. “
Representatives for Choi and CBC did not immediately respond to the Times’ request for comment on Monday.
What’s up with ‘Kim’s Convenience’? The actors express themselves Source link What’s up with ‘Kim’s Convenience’? The actors express themselves